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Title:
English, French and Italian madrigals.
Author:
Deller, Alfred.

Cantelo, April.

Brown, Wilfred, 1921-1971.

Tear, Robert.

English, Gerald.

Worthley, Max.

Bevan, Maurice.

Colleby, Geoffry.

Todd, Philip (Tenor)

Frost, John, bass.

Sheppard, Honor.

Thomas, Mary, 1935-1997.

Poulter, Eileen.

La Sage, Sally.

Morley, Thomas, 1557-1603? Balletts. Now is the month of maying.

Morley, Thomas, 1557-1603? Madrigals, voices (4), bk. 1. In dewe of roses.

Morley, Thomas, 1557-1603? Balletts. Shoot, false love, I care not.

Morley, Thomas, 1557-1603? Canzonets, voices (2). Miraculous love's wounding.

Morley, Thomas, 1557-1603? Canzonets, voices (5-6). Harke! Alleluia cheerely.

Morley, Thomas, 1557-1603? Canzonets, voices (3). Arise, get up, my deere.

Morley, Thomas, 1557-1603? Balletts. Leave, alas, this tormenting.

Morley, Thomas, 1557-1603? Canzonets, voices (2). I goe before, my darling.

Morley, Thomas, 1557-1603? Madrigals, voices (4), bk. 1. Say, gentle nymphes.

Morley, Thomas, 1557-1603? Canzonets, voices (3). God morrow, faye ladies of the may.

Morley, Thomas, 1557-1603? Madrigals, voices (4), bk. 1. Aprill is in my mistris face.

Morley, Thomas, 1557-1603? Canzonets, voices (3). Though Philomela lost hir love.

Morley, Thomas, 1557-1603? Hard by a cristall fountaine.

Morley, Thomas, 1557-1603? Canzonets, voices (3). Whether awaie so fast.

Morley, Thomas, 1557-1603? Canzonets, voices (5-6). I follow, loe, the footing.

Morley, Thomas, 1557-1603? Canzonets, voices (5-6). O griefe! even on the bud.

Morley, Thomas, 1557-1603? Canzonets, voices (2). When, loe, by breake of morning.

Morley, Thomas, 1557-1603? Madrigals, voices (4), bk. 1. Beesides a fountaine.

Morley, Thomas, 1557-1603? Balletts. Fyer, fyer.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Thus saith my Cloris bright.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Happy, Oh! happy he.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Ye that do live in pleasures plenty.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Ah, cannot sigh, nor tears, nor aught else move thee.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Stay, Corydon, thou swain.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Draw on sweet night.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Lady, your words doe spight mee.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. As fair as morn, as fresh as May.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Weepe, mine eyes.

Morley, Thomas, 1557-1603? Madrigals, voices (4), bk. 1. Hoe, who comes here.

Weelkes, Thomas, approximately 1575-1623. Madrigals, voices (3-6). Cease sorrowes now.

Vautor, Thomas. Songs of divers ayres and natures. Mother, I will have a husband.

Edwards, Richard, 1523?-1566. In goinge to my naked bedde.

Weelkes, Thomas, approximately 1575-1623. Balletts and madrigals. To shorten winters sadnesse.

Weelkes, Thomas, approximately 1575-1623. Madrigals, voices (5-6). O Care thou wilt dispatch mee.

Bartlet, John, active 1606-1610. Booke of ayres. Of all the birds that I do know.

Morley, Thomas, 1557-1603? Canzonets, voices (2). Sweet nimphe, come to thy lover.

Weelkes, Thomas, approximately 1575-1623. Ayeres or phantasticke spirites. Ape, the monkey.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Oft have I vowed.

Weelkes, Thomas, approximately 1575-1623. Ayeres or phantasticke spirites. Strike it up tabor.

Ward, John, 1571-1638. English madrigals. Hope of my heart.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Sweet hony sucking bees.

Johnson, Robert, approximately 1500-approximately 1560. Defyled is my name.

Weelkes, Thomas, approximately 1575-1623. Balletts and madrigals. On the plaines fairie traines.

Weelkes, Thomas, approximately 1575-1623. Balletts and madrigals. All at once well met faire ladies.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Flora gave mee fairest flowers.

Weelkes, Thomas, approximately 1575-1623. Madrigals, voices (3-6). Yong Cupid hath proclaim'd.

Weelkes, Thomas, approximately 1575-1623. Madrigals, voices (5-6). Thule the period of cosmographie.

Bennet, John, active 1599-1614. All creatures now are merry-minded.

Bennet, John, active 1599-1614. Madrigals, voices (4). Weep, o mine eyes.

Edwards, Richard, 1523?-1566. When grypinge griefes.

Tallis, Thomas, approximately 1505-1585. Like as the doleful dove.

Sheppard, John, approximately 1515-1558. O happy dames.

Gibbons, Orlando, 1583-1625. Madrigals and mottets. Silver swanne.

Pilkington, Francis, -1638. Songs or ayres. Rest, sweet nymphs.

Pilkington, Francis, -1638. Songs or ayres. Diaphenia like the daffdowndilly.

Gibbons, Orlando, 1583-1625. Madrigals and mottets. What is our life.

Byrd, William, 1539 or 1540-1623. Psalmes, sonets, and songs. Though Amaryllis dance in green.

Gibbons, Orlando, 1583-1625. Madrigals and mottets. Ah, deere hart.

Byrd, William, 1539 or 1540-1623. Psalmes, songs, and sonnets. This sweet and merry month of May.

Gibbons, Orlando, 1583-1625. Madrigals and mottets. Daintie fine bird.

Pilkington, Francis, -1638. Madrigals and pastorals, 1st set. Have I found her.

Pilkington, Francis, -1638. Madrigals and pastorals, 2nd set. O softly-singing lute.

Pilkington, Francis, -1638. Madrigals and pastorals, 1st set. Amyntas with his Phyllis fair.

Ward, John, 1571-1638. English madrigals. Retire, my troubled soul.

Ward, John, 1571-1638. English madrigals. Out from the vale.

Johnson, Robert, approximately 1500-approximately 1560. Benedicam Domino.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Lady when I beehold.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Adew, sweet Amarillis.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. I always beg.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 1. Thus love commands.

Wilbye, John, 1574-1638. Madrigals, voices (3-6), set 2. Come, shepherd, swains.

Wilbye, John, 1574-1638. Fair Oriana seeming to wink at folly.

Wilbye, John, 1574-1638. Lady Oriana.

Jones, Robert, active 1597-1615. Fair Oriana seeming to wink at folly.

Costeley, Guillaume, 1530?-1606. Musique. Allons, gay, gay, gay, bergères.

Costeley, Guillaume, 1530?-1606. Musique. Mignonne, allon voir si la roze.

Passereau, Pierre, active 1509-1547. Est bel et bon.

Janequin, Clément, approximately 1495-approximately 1560. Chansons (1528). Réveillez vous, cueurs endormis.

Josquin, des Prez, -1521. Nymphes des bois.

Josquin, des Prez, -1521. Parfons regretz.

Lasso, Orlando di, 1532-1594. Nuict froide et sombre.

Janequin, Clément, approximately 1495-approximately 1560. Chansons (1528). Alouette.

Janequin, Clément, approximately 1495-approximately 1560. Ce moys de may.

Janequin, Clément, approximately 1495-approximately 1560. Chansons (1528). Escoutez tous gentilz galloys.

Lasso, Orlando di, 1532-1594. Chansons, voices (4-6), book 3. Mon cœur se recommande.

Byrd, William, 1539 or 1540-1623. Psalmes, sonets, and songs. Lullaby, my sweet little baby.

Tomkins, Thomas, 1572-1656. Songs, voices (3-6). When David heard.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Altri canti di Marte.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Vago augelletto che cantando vai.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Mentre vaga Angioletta.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Ninfa che scalza il piede.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Dolcissimo uscignolo.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Chi vole aver felice e lieto il core.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Lamento della ninfa.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Perchè t'en fuggi, o Fillide.

Monteverdi, Claudio, 1567-1643. Madrigals, book 8. Su, su, su pastorelli vezzosi.

Marenzio, Luca, 1553-1599. Madrigals, voices (6), book 2. Cedan l'antiche tue chiare vittorie.

Lasso, Orlando di, 1532-1594. Libro de villanelle, moresche, et altre canzoni. Matona mia cara.

Marenzio, Luca, 1553-1599. Madrigals, voices (5), book 3. Scaldava il sol di mezzo giorno l'arco.

Marenzio, Luca, 1553-1599. Madrigals, voices (5), book 9. Solo e pensoso i più deserti campi.

Marenzio, Luca, 1553-1599. Madrigals, voices (6), book 5. Leggiadre ninfe.

Rore, Cipriano de, 1515 or 1516-1565. Anchor che col partire.

Arcadelt, Jacob, approximately 1505-1568. Madrigals, voices (4), book 1. Bianco e dolce cigno.

Monteverdi, Claudio, 1567-1643. Madrigals, book 6. Lagrime d'amante al sepolcro dell'amata.

Monteverdi, Claudio, 1567-1643. Madrigals, book 6. Zefiro torna.

Monteverdi, Claudio, 1567-1643. Madrigals, book 6. Lamento d'Arianna.

Monteverdi, Claudio, 1567-1643. Madrigals, book 6. Oimé il bel viso, ohimé il soave sguardo.

Monteverdi, Claudio, 1567-1643. Madrigals, book 1. Baci soavi e cari.

Monteverdi, Claudio, 1567-1643. Madrigals, book 2. Ecco mormorar l'onde.

Monteverdi, Claudio, 1567-1643. Madrigals, book 4. A un giro sol de bell'occhi lucenti.

Monteverdi, Claudio, 1567-1643. Madrigals, book 4. Non più guerra, pietate.

Monteverdi, Claudio, 1567-1643. Madrigals, book 4. Sfogava con le stelle.

Gesualdo, Carlo, principe di Venosa, approximately 1560-1613. Madrigals, voices (5), bk. 6. Beltà, poi che t'assenti.

Gesualdo, Carlo, principe di Venosa, approximately 1560-1613. Madrigals, voices (5), bk. 4. Ecco morirò dunque.

Gesualdo, Carlo, principe di Venosa, approximately 1560-1613. Madrigals, voices (5), bk. 6. Moro lasso al mio duolo.

Deller Consort.
Publication Information:
[New York] : Vanguard Classics, [2009]
Call Number:
C DELL EFI D96
Added Corporate Author:
Series:
Complete Vanguard recordings ; vol. 5

Complete Vanguard recordings ; v. 5.
Physical Description:
6 audio discs : digital ; 4 3/4 in. + 1 CD-ROM.
General Note:
"Original cover art, liner notes and lyrics are included on a bonus CD-ROM."--Container.

Compact discs.

"Includes all recordings from the original LPs."--Container.
Contents:
Madrigals of Thomas Morley and John Wilbye. Now is the month of maying ; In dew of roses ; Shoot, false love, I care not ; Miraculous love's wounding! ; Hark, alleluia cheerly ; Arise, get up my dear ; Leave this tormenting ; I go before, my darling ; Say, gentle nymphs ; Good morrow, fair ladies ; April is in my mistress' face ; Though Philomela lost her love ; Hard by a crystal fountain ; Whiter away, so fast ; I follow, lo, the footing ; O grief! ; When lo by break of morning ; Besides a fountain ; Fire! fire! my heart / Thus saith my Cloris bright ; Happy, O happy he, who not affecting ; Ye that do live in pleasures plenty ; Ah, cannot sigh, nor tears, nor aught else move thee ; Stay, Croydon, thou swain ; Draw on, sweet night, best friend unto those cares ; Lady your words do spite me ; As fair as moun, as fresh as May ; Weep, weep, mine eyes, my heart can take no rest

The English Madrigal School. Ho! who comes here? / Cease sorrows now / Mother, I will have a husband / In going to my naked bed / To shorten winter's sadness ; O care, thou wilt despatch me / Of all the birds that I do know / All creatures are now merry-minded / Sweet nymph / Weep O mine eyes / The ape, the monkey and the baboon / Oft have I vowed / Strike it up, tabor / Hope of my heart / Sweet honey-sucking bees / Defiled is my name / On the plains, fairy trains / When griping griefs / All at once well met / Like as the doleful dove / The bitter sweet / Flora gave me fairest flowers / O happy dames / Young cupid hath proclaimed / The happy life (my friends, the thing I smile to see) / Thule, the period of cosmography

The Silver Swan. Silver Swan / Rest, sweet nymphs ; Diaphenia like the daffdowndilly / What is our life / Though Amaryllis dance / Ah! dear heart / This sweet and merry month / Dainty, fine bird / Have I found her ; O softly singing lute ; Amyntas with his Phyllis fair / Retire, my troubled soul ; Upon a bank with roses ; Out from the vale / I smile to see how you devise / Benedicam domino / Lady, when I behold ; Adieu, sweet Amaryllis ; I always beg, yet never am relieved ; Thus love commands that I in vain complain me ; Oft I have vowed how dearly I did love thee ; Come, shepherd, swains, that wont to hear me sing ; Lady Oriana / Fair Oriana sweeming to wink at folly

French and English Madrigal Masterpieces. Allons gay bergeres ; Mignonne, allons voir si la rose / Il est bel et bon / Chant des oiseau / Deploration de Jehan Ockeghem ; Parfons regretz / Nuit froide et sombre / Ce moys de may Bataille de Marignan (aka La Guerre) ; Au joly boys / Mon coeur se recommande a vous / Lullaby, my sweet little baby / Now is the month maying / When David heard that Absalon was slain

Madrigali Amorosi/Itlaian Madrigal Masterpieces. Altri canti di Marte e di sua schiera Nifa che scalza il piede e sciolto il crine -- Lamento della Ninfa Perchè te 'n fuggi, o Fillide? Non partir, ritrosetta -- Su, su, su, pastorelli vezzosi. Cedan l'antiche tue chiare vittorie / Matona mia cara / Scaldava il sol ; Soloe pensoso ; Leggiadre ninfe / Ancho che col partire / Il bianco e dolce cigno

Madrigals of Claudio Monteverdi and Carlo Gesualdo. Incenerite spoglie, avara tomba ; Ditelo, o fiumi, e voi ch'udiste Glauco ; Darà la notte il sol lume alla terra ; Ma te raccoglie, o ninfa, in grembo il cielo ; O choime d'or, neve gentil del seno -- Dunque, amate reliquie, un mar di pianto ; Zefiro torna e'l bel tempo rimena ; Lasciatemi morire ; O Teseo, o teseo mio ; Dove, dov'e la fede ; Ahi che non pur rispondi ; Oimé il bel viso, ohimé il soave sguardo ; Baci soavi e cari ; Ecco mormorar l'onde ; A un giro sol de bell'occhi lucenti ; Non più guerra, pietate ; Sfogava con le stelle ; Beltà poi che t'assenti ; Ecco moriro dunque ... Hai, gia mi disco loro ; Morro lasso al mio duolo.
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