Title:
The Oxford handbook of Japanese cinema / edited by Daisuke Miyao.
Author:
宮尾, 大輔, 1970.
Publication Information:
Oxford ; New York : Oxford University Press, ©2014.
Call Number:
PN1993.5.J3 O97 2014
Abstract:
This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
Geographic Term:
Electronic Access:
Table of contents http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027137919&line_number=0001&func_code=DB_RECORDS&service_type=MEDIAThe Class of 1891 Department of Arts Fund Home Page http://hdl.library.upenn.edu/1017.12/366299
ISBN:
9780199731664
9780190937355
Series:
[Oxford handbooks]
Oxford handbooks.
Physical Description:
xii, 483 pages : illustrations ; 26 cm
Contents:
Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s / Sangjoon Lee -- Yamagata-Asia-Europe: the International Film Festival short circuit / Abé Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) -- Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film: Twilight Samurai -- A Salaryman -- Producer's Point of View / Ichiro Yamamoto (translated by Diane Wei Lewis) -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- Reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- By other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- Viral contagion in the Ringu intertext / Carlos Rojas -- Media mix and the metaphoric economy of world / Alexander Zahlten.
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