Cover image for
Title:
Capturing music : the story of notation / Thomas Forrest Kelly.
Author:
Kelly, Thomas Forrest, author.

Léonin, active 12th century, composer.

Pérotin, -1238? composer.

Vitry, Philippe de, 1291-1361, composer.

Container of (work) : Guillaume, de Machaut, approximately 1300-1377. Biaute qui toutes autres pere.

Container of (work) : Landini, Francesco, approximately 1325-1397. Musica son che mi dolgo/Già furon/Ciascun vuol.

Container of (work) : Jacob, de Senleches, active 1378-1395. En attendant esperance.

Container of (work) : Cordier, Baude, active 15th century. Belle, bonne, sage.

Blue Heron Renaissance Choir, performer.

Container of (work) : Catholic Church. Pascha nostrum.
Publication Information:
New York : W. W. Norton & Company, [2015]

©2015
Call Number:
ML431 .K45 2015
Abstract:
In today's digital landscape, we have the luxury of experiencing music anytime, anywhere. But before this instant accessibility and dizzying array of formats -- before CDs, the eight-track tape, the radio, and the turntable -- there was only one recording technology: music notation. It allowed singers and soloists to travel across great distances and perform their work with stunning fidelity, a feat that we now very much take for granted. Thomas Forrest Kelly transports us to the lively and complex world of monks and monasteries, of a dove singing holy chants into the ear of a saint, and of bustling activity in the Cathedral of Notre Dame -- an era when the only way to share even the simplest song was to learn it by rote, church to church and person to person. With clarity and a sense of wonder, Kelly tells a story that spans five hundred years, leading us on a journey through medieval Europe and showing how we learned to keep track of rhythm, melody, and precise pitch with a degree of accuracy previously unimagined. Kelly reveals the technological advances that led us to the system of notation we use today, placing each step of its evolution in its cultural and intellectual context. Companion recordings by the renowned Blue Heron ensemble are paired with vibrant illuminated manuscripts, bringing the art to life and allowing readers to experience something of the marvel that medieval writers must have felt when they figured out how to capture music for all time.
Edition:
First edition.
ISBN:
9780393064964
Physical Description:
xv, 238 pages : illustrations (some color), music ; 25 cm + 1 audio disc (4 3/4 in.)
General Note:
Accompanying CD contains performances of the musical compositions represented in the book's illustrations.
Contents:
Isidore: Writing as recording -- St. Gregory and the recording of music -- Guido the Monk and the recording of pitch -- The great book: Leoninus and the recording of rhythm -- Franco figures it out -- It takes a scientist: Philippe de Vitry -- Into the future: Later developments.

Introit "Ad te levavi" Introit "Resurrexi" Alleluia "Pascha nostrum" "Ut queant laxis" -- Alleluia "Pascha nostrum" / Alleluia "Pascha nostrum" / "Latus est" "Immolata paschali victima" "Sumer is icumen in ; Perspice Christicola" -- "Diex qui porroir ; En grant dolour ; Aptatur" "Aucun ont trouvé ; Lonctans me sui ; Annun[tiantes]" "Garrit gallus ; In nova fert" / "Biaute qui toutes autres pere" / "Io son un pellegrin" "Musica son" / "En attendant, Esperance conforte" / "Belle, bonne, sage, plaisant"
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