Looking through the window: reflections and refractions in Virginia Woolf's A Room of One's Own / The Woolf era / Mrs. Woolf and the critics / Writing was her fighting: Three Guineas as a pacifist response / Elizabeth Bowen and Virginia Woolf: the novelists' art / "The most amazing senses of her generation": colourist design in Katherine Mansfield's fiction / Rebecca West: twentieth-century heretical humanist / Killing the angel and the monster: a comparative and postcolonial analysis of Jean Rhys' Wide Sargasso Sea and Virginia Woolf's The Voyage Out / "It had grown into a machine": transcience of identity and the search for a room of one's own in Quicksand and Plum Bun: a Novel Without a Moral / Parties, pins, and perspective: Eudora Welty, Virginia Woolf, and matrilinial inheritance / "The Woolf sting": Sylvia Plath annotating Virginia Woolf / An Irish woman poet's room: Eavan Boland's debt to Virginia Woolf / Spaciousness and subjectivity in Alice Walker's womanist prose: from Virginia Woolf's A Room of One's Own to a garden with "Every color flower represented" / Raced bodies, corporeal texts: narratives of home and self in Sandra Cisneros' The House on Mango Street / Destabilizing life writings: narrative and temporal ruptures in The Woman Warrior, China Men, and Orlando / Narrative forms and feminist (dis)contents: an intertextual reading of the prose of Toni Morrison and Virginia Woolf